"Everything seems to go to seed along the Gulf: walls stain, windows rust. Curtains mildew. Wood warps. Air conditioners cease to function."

By Yango - February 18, 2018

"In our room at the Edgewater Gulf Hotel, where the Mississippi Broadcasters’ Convention was taking place, the air conditioner in the window violently shook and rattled every time it was turned on. The Edgewater Gulf is an enormous white hotel which looks like a giant laundry, and has the appearance of being on the verge of condemnation. The swimming pool is large and unkempt, and the water smells of fish. Behind the hotel is a new shopping center built around an air-conditioned mall, and I kept escaping there, back into midstream America."

A passage from a book I'm reading that came back to me as we were talking about the South in the middle of the night. The book is "South and West: From a Notebook" by Joan Didion. A new reprint came out last month, but it tells the story of a road trip through the Gulf South that she made in 1970 (and a second trip in the west in 1976).

Here's another passage:

In New Orleans in June the air is heavy with sex and death, not violent death but death by decay, overripeness, rotting, death by drowning, suffocation, fever of unknown etiology. The place is physically dark, dark like the negative of a photograph, dark like an X-ray: the atmosphere absorbs its own light, never reflects light but sucks it in until random objects glow with a morbid luminescence. The crypts above ground dominate certain vistas. In the hypnotic liquidity of the atmosphere all motion slows into choreography, all people on the street move as if suspended in a precarious emulsion, and there seems only a technical distinction between the quick and the dead. 

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